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By published
With permadeath.
Since I can only choose from the cards that are adjacent to the one I’m currently on, if I pick the middle card from the next row up I’ll leave all three options open, but if I veer left or right that’ll narrow the choices down to two. And if I move to a card beneath a monster, they’ll leave their spot to attack, uncovering whatever’s beneath them.
Sometimes the Fold narrows down to to two or just one choice, and every level ends with an unavoidable card where a grim reaper or giant scorpion or some other boss squats. Combat is simple: monsters have a damage number, you subtract your armor, and anything left over comes off your health. If you survive, they die. That means you can easily do the math and figure out whether you’ll beat a boss as soon as you see them, making the final moves of every level feel dry and mechanical. You know if you’re going to live or die, and you’re just going through the motions to get there.
When you do die, it’s game over. Sometimes you’ll have earned an achievement that adds a new item to future runs, or unlocked a character who has a different power—cast by picking up mana potions—and a different number of hit points. Though each run takes mere minutes, I don’t find myself enthusiastic about trying again when I finish. Maybe Hades has ruined other roguelikes for me, because I can’t help but feel the absence of its rewarding deaths.
In Hades, every failure pushes the story on, as well as letting you unlock some new stuff. In spite of the name, Forward: Escape the Fold doesn’t have anything like that sense of constant forward motion. It’s not that I’m asking for voice-acting or animation, but where Escape the Fold does imply a story and setting it’s through writing that’s spare, with bosses saying «I’m coming to get you!» and dungeon levels that arbitrarily become forests or towns. It’s all quite vague, leaving just the endless choices between gold and shields, scarecrows and wolves. There’s a purity in that, making it quick and casual enough that you’ll know how you feel about Escape the Fold as soon as you try it.
Jody’s first computer was a Commodore 64, so he remembers having to use a code wheel to play Pool of Radiance. A former music journalist who interviewed everyone from Giorgio Moroder to Trent Reznor, Jody also co-hosted Australia’s first radio show about videogames, Zed Games. He’s written for Rock Paper Shotgun, The Big Issue, GamesRadar, Zam, Glixel, and Playboy.com, whose cheques with the bunny logo made for fun conversations at the bank. Jody’s first article for PC Gamer was published in 2015, he edited PC Gamer Indie from 2017 to 2018, and actually did play every Warhammer videogame.
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